Writing Song of the Day: “In the Next Room” by Neon Trees
On Monday, we mentioned the awesomeness that was Weekend of Awesome. On Friday night, we all gathered around the tube to watch the monstrosity–whoops, I meant “epicness” that is The Room.
Quita and I first learned about The Room from this article by Entertainment Weekly. We promptly rented it, and then stared at the screen like cliched characters in shock: our mouths agape and eyebrows lifted. Needless to say, we were more than thrilled when we discovered some of our WOA peers have also seen this movie. You see, The Room is so, so awful, that it’s deliciously good. It’s the kind of movie that’ll make you look at your POS first draft with pride.
We, along with Erinn, Alicia, and KO, have decided to share what we learned about writing from the cinematic masterpiece that is The Room. And now…
The Three Don’ts of Plotting:
1. Don’t Drop a Bombshell and then Forget About It.
Protagonist Johnny has a skankified fiancee (Lisa) who no longer loves him, as she’ll remind the audience a bazillion times. However, even more irritating than Lisa is her mother–who’s pretty much a prying, judgmental you-know-what. During one of their “heart-to-hearts,” Lisa’s mom reveals that she has breast cancer. Lisa tells her mom to focus on the positive, and the cancer was never. Mentioned. Again.
Um, WHAT??? Sorry, but cancer sucks. You can’t just think good thoughts and will it away. And you also can’t reveal something that extreme to your audience and then abruptly disregard it. Writers, this is why we revise. Make note of when something this HUGE is in your story. But, if you wrote about an element this serious in your first draft and then forget about it, you have to ask yourself: Is this important? Does this push my plot forward?
2. Don’t Create an Unrealistic Climax.
SPOILER ALERT! Basically, Johnny’s fiancee cheats with his best friend, Mark. All throughout the movie, Mark was riddled with guilt for his actions. However, out of nowhere, Mark becomes a jackass–at Johnny’s birthday party no less!
I get it. Johnny needed to learn about the affair in order to make a life-changing decision. That is the purpose of a climax after all. But–HUH?? Why did Mark become a jerk? Why did he all of a sudden not care about Johnny’s feelings?? Writers, remember–character development plays a HUGE part in plotting. Don’t make your characters do anything–well, out of character–in order to move your story along.
3. Don’t Pull Something Out of the Blue Just to Make Your Ending Work.
There’s this creepy kid that Johnny takes care of named Denny/Danny (his name changes depending on who says it), that has a dangerous encounter with a drug dealer.
Yeah, apparently Denny/Danny owes a drug dealer money–but this wasn’t mentioned before OR after this scene occurred. Basically, the gun that Johnny takes from the big, bad drug dealer is significant for the conclusion of the film. I get that–but you want to avoid deus ex machinas, which is a HORRIBLE plot device. Try to find natural ways to lead readers to your ending–or they may not just make it there.
There you have it. The Room in all its horribly decadent glory. If you haven’t checked this out yet–GO. RENT. NOW. I promise you, you’ll want to pat yourself on the back after watching it. 🙂 Don’t forget to check out Erinn, Alicia, and KO’s blogs for their writing tips from The Room.